KASKADE, GLOCKENBACH, KAITLIN ARAGON - Runaway
KASKADE, GLOCKENBACH, KAITLIN ARAGON "Runaway"Eight-time GRAMMY-nominated producer, DJ, and electronic music icon Kaskade joins forces with masked electronic artist GLOCKENBACH and rising vocalist Kaitlin Aragon for their new collaboration “Runaway,” arriving July 31st.
The track marks the fourth single from Kaskade’s forthcoming ORIGIN // album and follows its surprise live debut during his landmark return to the Coachella Valley Music and Arts Festival earlier this year.
Built around emotive buildups, expansive sound design, and soaring vocal moments, “Runaway” captures the intersection of cinematic electronic music and modern dance-pop storytelling. Kaskade’s signature melodic production elements blend seamlessly with GLOCKENBACH’s vibrant, genre-fluid approach, while Kaitlin Aragon’s powerful vocals bring an additional layer of emotion and intensity to the record.
Kaskade:
“Comes Back Around” Int’l Radio Campaign Highlights:
Played 518x across 111 global radio stations.
Key Specialist Stations: MDR Sputnik Germany (165x), bigFM Germany
(17x), I Love 2 Dance Germany (15x); Added to WOS Radio (NL)
Glockenbach:
400K Radio plays in Germany in total:
Brooklyn 62k, Dirty Dancing 81k, Lifeline 67k, Magic Moment 77k,
Anthem 50k, Home 51k.)
Top 5 Germany Cities: Berlin, Stuttgart, Leipzig, Hamburg, Bremen
Key Stations: HITRADIO RT1 (122x), Radio Top 40 (98x), sunshine live
(177x), Radio Hamburg 103.6 (75x), Radio Galaxy Oberfranken (64x)
Charts: Home Platz #1, Anthem Platz #4, Magic Moment Platz #2,
Lifeline Platz #1, Dirty Dancing Platz #3, Brooklyn Platz #2
Kaitlin Aragon:
“I RUN.” w/ HAVEN Int’l Radio Campaign Highlights:
Played 81K+ across 323 global radio stations.
Top 5 Countries: Germany (18K+), United Kingdom (11K+), Netherlands
(9K+), Australia (7K+), Belgium (6K+)
Key Germany Stations: bigFM Charts (1,275x), 1LIVE (962x), bigFM
(885x), Radio Top 40 (676x), MDR Sputnik (633x), NRJ Energy (629x)
Key Netherlands Stations: SLAM! (2260x), 538 Dance Department /
Hitzone (1,654x), Qmus Top 40 (1,216x)
Charting: #2 Belgium, #2 New Zealand, #9 Australia, #17 Germany
TKH - Set Me Free
TKH "Set Me Free"Mit "SET ME FREE" liefert TKH einen kompromisslosen Bass-House-Track mit treibenden 138 BPM, druckvollen Drops und maximaler Club-Energie. Markante Basslines treffen auf hypnotische Vocals und einen Build-up, der die Spannung konsequent bis zu den Drops nach oben schraubt.
Der Track hat die notwendige durchgängige Power, gepaart mit einem unaufhaltsamen Groove bringt er genau die Energie, die Peak-Time-Sets brauchen. Ein Sound, der sofort nach vorne geht und keinen Dancefloor stillstehen lässt.
"SET ME FREE" ist laut, direkt und gemacht für große Anlagen und den Moment, in dem der Bass die Steuerung übernimmt.
MASSIVE BREAKZ - Can You Feel The Summer
MASSIVE BREAKZ "Can You Feel The Summer"Mit „Can You Feel The Summer“ liefert Massive BreakZ einen energiegeladenen Hands Up Dance-Track voller positiver Vibes, treibender Beats und eingängiger Melodie. Der Song bringt das Gefühl von Sommer, Freiheit und unvergesslichen Nächten direkt auf die Tanzfläche – perfekt für Clubs, Festivals und jede Sommer-Playlist.
DJ DEE ASS FEAT. HURRY & CUHN - Two Left Shoes
DJ DEE ASS FEAT. HURRY & CUHN "Two Left Shoes"No rhythm? Perfect. That’s the whole point.
With "Two Left Shoes", DJ Dee Ass teams up with Hurry & Cuhn to deliver a high-voltage electro house anthem built for chaotic dancefloors and unforgettable nights. Loud, unapologetic, and irresistibly catchy, this track turns clumsiness into confidence and imperfection into pure energy. Driven by punchy basslines, electrifying drops, and a groove that refuses to sit still, "Two Left Shoes" is made for those who don’t care how they move—as long as they move. It’s a celebration of letting go, losing control, and owning the moment, even if you feel like you’ve got two left feet. Hurry & Cuhn bring an extra spark to the track, adding attitude and playful edge, while DJ Dee Ass keeps the momentum locked in with a production that hits hard and doesn’t look back. This is not about dancing right. This is about dancing anyway. "Two Left Shoes" is a certified club banger—ready for peak-time sets, sweaty crowds, and hands in the air moments. Available now on all major streaming platforms.
SEAN PAUL, &FRIENDS - Get Busy (Club Mix)
SEAN PAUL, &FRIENDS "Get Busy (Club Mix)"&friends is the global musical concept of DJ and Producer Sean Peckenham, driven by the vision to create a project embodying tradition, culture and community. His new track “Get Busy (Club Mix) alongside the Jamaican dancehall singer and rapper Sean Paul, has taken this early 2000s hit to a whole new level. Fusing Sean Paul’s unmistakable sound with &friends’ vision, this track allows listeners to fall back into nostalgia with an entirely new flair.
1. What first inspired you to reimagine Sean Paul's iconic "Get Busy," and why did this feel like the right record to reinterpret?
I've always loved taking songs that have lived with us for years and imagining what they'd sound like if they were born today, born purely for the dancefloor. Not to replace the original, that's obviously impossible, but to let people experience it through a different lens, through mine.
I remember when my team told me Sean Paul was also playing at Coachella (shout-out to Mark), I immediately wanted to remake this one, as I’ve always been a huge fan of his. I couldn’t help imagining what it would feel like if that same “Get Busy” energy found its way onto today's dancefloors. Something that respected where it came from and kept that same “let the animal out of the cage” feel while introducing it to a completely different world and audience.
And once I started playing it out live, every single time it came on, people just lost it in the best way possible. That's when I knew there was something special and we had a big record.
The dancefloor never lies.
2. When approaching a song as culturally significant as "Get Busy," how do you balance honoring the original while creating something entirely your own?
It’s a tall ask, right? It’s not something you want to overproduce, but at the same time you want to make sure you’re bringing some new flavor and sauce without it being cookie-cutter. You’ve got to thread that needle of novelty and familiarity; it’s a delicate dance if you want to do it right.
I think it also starts with having immense respect for Sean and the original. The reason it became a classic is because of the feeling it gives people. So I never wanted to change that feeling, I more so just wanted to build a new world around it.
If people hear my version and it makes them want to go listen to Sean's again...that's a win.
3. How would you describe the sonic direction of this remix, and what emotions or experience do you hope listeners walk away with?
I wanted it to feel familiar, but also like they'd never heard it before.
It’s one of those records where you don't even think about dancing; your body just starts moving, and you have no control over what it’s doing. To me, it’s the absolute freedom of expression, without a care or worry about what you look like. That’s what I wanted this to be for people.
It still has everything people love about the original, but I pulled it into my world with a lot more percussion, groove, and bounce. It's playful. It's got attitude. It's one of those tracks where you look around, and everyone's got the biggest smile on their face, and they’re letting their animal out of the cage.
That's always my favorite kind of dancefloor.
4. If listeners could take away just one feeling after hearing this remix, what would you want it to be?
Freedom.
I know that sounds deep for a booty shaker, haha, but I really mean it.
For four or five minutes, I just want people to let loose. Stop worrying about looking cool, stop overthinking everything, and just dance and fully express themselves. Let the body do whatever it wants to do.
Some of the best moments in life happen when you forget anyone's watching :)
5. This remix isn't about recreating a hit, it's about...
bringing that same iconic energy to a completely different dancefloor and reminding people that sometimes your body knows what it needs before your mind does.